Category: Storyteller of the Month

Storyteller of the Month - Q&A with Simpa Samson

Simpa Samson

[vc_row][vc_column][vc_column_text css_animation=”fadeInUp”]Simpa Samson is an Emmy Nominated, Cannes World & Morton Frank Award winning DP/Director. His work focuses on international development, health, and human rights, and He has DP Documentary for International Network such as: Bloomberg Original, Vice News, Aljazeera, CNN, Russia Today, Skoll Foundation, Morgan Stanley, Waterbear, RedfishMedia, Deutsche Welle (DW), and International Aid Organisation such as United Nation, Save The Children UK, UNOcha, World Health Organisation, World Food Program, UNICEF Geneva, INTERSOS, F.A.O, among others. Simpa Samson, was known for filming in hostile environments at the beginning of his careers there by making him have vast experience as a War Cameraman. He Operates around Africa and has a wide range of connections with fixers around Africa.
In 2023, Black Snow: Nigeria Oil Catastrophe, a documentary that Simpa DP/Directed for Bloomberg Quick take in the Niger Delta region of Nigeria, got an Emmy Nomination, and also won him and the team a Morton Frank Award organised by Oversea Press Club of America.

 

Learn More about Simpa Samson in our Storyteller of the Month Spotlight Q&A below.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][pt_video video_url=”https://youtu.be/V6Vg4OOMW0Q?si=YgiodPvMamU_fsN3″ video_thumbnail=”45″ height=”375″][/vc_column][/vc_row][vc_row css=”.vc_custom_1527077254000{padding-bottom: 15px !important;}”][vc_column][vc_column_text]

Africa is for us, and we know our culture, land and way of living better than any other person, so it’s really important that we tell a very good story with authenticity and message for the world at large to be able to see and relate.

Simpa Samson
Documentary FILMMAKER
How did you first become involved in animal/wildlife conservation filmmaking?
I became involved in Animal and wildlife After filming in the Niger Delta Region of Nigeria, and I saw what the crude oil that was supposed to be a blessing is now a curse to the land and marine life. And after that, I started looking for a project that I can tell to really draw attention to wildlife and animals. I presently have about three (3) Documentary treatments on wildlife and animals, and hoping I can get them funded and produced soon.
 
What inspired you to use film as a medium to raise awareness about bat conservation issues?
Film has always been the medium I use in expressing myself, and when the opportunity came for me to Direct and Film such a Documentary for Al-Jazeera, I took all the opportunity with both hands. I also have another film called Martha’s Delta which is currently on the Waterbear platform for free viewing.
Can you share a memorable experience or encounter you’ve had while filming in the wild?
One of my memorable experiences is how we were able to survive all the challenges the wild threw at us. During production of Bat Couple, Rain drenched I and the team as we make the 6 hours climb and when we finally got to where we set up camp, we had to dry ourselves and clothes with fire. It was a memorable and interesting experience.
How do you choose the locations for your filming projects, and what criteria do you consider?
I am not limited to location at all, I have filmed in some of the most dangerous places you can think of in Nigeria and some part of Africa, so for location, I can go anywhere, but for story, it has to be a story that will end up impacting life or drawing attention to some certain issues.
What challenges do you face as a wildlife conservation filmmaker, both logistically and emotionally?
I have encountered lots of challenges. Emotionally, it just breaks my heart whenever I see what we humans have done to wildlife. The physical demands of navigating the wild while carrying gears around, The uncontrollable weather, and I have also lost some of my important gear while filming in the wild.
During the production of Bat Couple, we hike over 6 hours climbing Afi Mountain in calabar and during our climb, we didn’t encounter any wild animal, that’s to tell you how much the people have hunted all the wildlife there and drove the rest into migration
Are there specific bat species or conservation issues that you are particularly passionate about featuring in your films?
Personally I am open to telling a lot of conservation issues, from marine and wildlife,  I am not particular about any, I am passionate about all round wildlife issues.
How do you balance the artistic aspects of filmmaking with the goal of conveying important conservation messages?
I have developed myself as a run and gun documentary filmmaker, and I have worked in several situations over and over again that when it comes to being creative, it now comes naturally, so basically during production I concentrate more on the core conversation message.
 
Could you highlight a successful conservation story that you’ve covered in your films and its impact on the environment?

All my conservation Documentaries stories are successful, from films such as: Martha’s Delta, The Black River, Black Snow: Nigeria oil Catastrophe, Bat Couple. And all of them have had a good impact, by making the local Community that we film in know the reason why they should protect nature.

Impacts
For Martha’s Delta, the communities finally see the importance of planting back the mangrove and protecting them from being cut down.
Black Snow: Nigeria Oil Catastrophe, documentary, had a good impact by helping the state government of River finally sees the reason why the cleaning of the Ogoni land needs to be done quick and fast, and also why the modular refinery’s need to be up and running so as to prevent people from untimely death. (The documentary gave I and the Team an Emmy Nomination)
Bat Couple also had a significant impact, as it showed the people of Boki Community the significance of bats to the wild and also how important it is to control bush burning so as to not kill wildlife.
Simpa Samson on African Climate Stories
 
What role do you believe filmmaking plays in influencing public perception and action towards wildlife conservation?
 Filmmakers play a very key role in influencing public perception by showing and going into the heart of the problem and featuring wildlife and their habitats as central characters and settings, filmmaking can help to humanize and personalize the conservation message. This can help to raise awareness and empathy for the plight of endangered species and the importance of protecting their habitats
How do you collaborate with scientists, conservationists, and local communities to ensure the accuracy and effectiveness of your films?
Collaborating with scientist will help filmmaker know and get the exact statistics in a particular case study that they want to do a Documentary on, while collaborating with conservationist will be able to let you know how the animal behaves, what to know about some particular species in question so as to get every information correctly and not deliver a false information to audience that will be watching the film. And for the local communities it is very important to have them collaborate and participate so that they will be able to teach other people and protect the wildlife for a very long time even after the film crew have left the community.
 
Any advice to emerging wildlife conservation storytellers in Africa? 
My advice to emerging wildlife storytellers in Africa is to tell an authentic story however little. Africa is for us, and we know our culture, land and way of living better than any other person, so it’s really important that we tell a very good story with authenticity and message for the world at large to be able to see and relate.

 

 

 

We hope you enjoyed this piece.

If you will like to be featured as one of our Climate Storyteller’s of the month? Kindly use this link to indicate interest or share with friends who qualify: African Climate Stories – Storyteller of the Month.

 

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Storyteller of the Month - Q&A with Akwa Felicity Asibi

Akwa Felicity Asibi
November 22, 2023

Creative storytelling makes complex environmental issues relatable, fostering a sense of urgency and personal connection that traditional communication often lacks. This can drive collective awareness and motivate people to take meaningful steps towards addressing climate change. Join us on a journey unveiling passionate individuals telling tales for environmental consciousness using their creative skills and unique styles. Every month, we will be shining a spotlight on individuals who use the power of storytelling to inspire change and drive action towards a sustainable future, with the hope of inspiring more creatives and storytellers to use their arts and works to drive positive action for our environment.

Drum roll…

Celebrating our first climate storyteller of the month: Akwa Felicity Asibi
Stage Name: Asiibii

I would advice aspiring poets to engage with platforms that provide pertinent education or training on environmental issues. No one can pour from an empty cup; therefore, they have to unlearn, learn, and relearn about the environment constantly.

Can you tell us about your background and what inspired you to become an environmental/climate story poet?

I am a creative writer, social justice activist, and researcher with years’ of experience in administration, creative writing, and data analysis in private and non- profit sectors. I earned a National Innovative Diploma in Computer Hardware Engineering from ECWA International College of Technology in Jos Nigeria, and a Higher National Diploma in Electronics and Telecom Engineering from the Federal Polytechnic Bauchi, Nigeria. I am also the founder of two startup businesses: Sibiscus Coterie Ltd, and Reknuma Foods Processing. I was inspired to be a climate storyteller after my contact with Tearfund Nigeria and Jos Green Centre during a conference in 2019 tagged, ‘The Post-Oil Nigeria’. As a young person who was exposed to the depth of our country’s dependence on oil, and how other communities and countries are developing alternatives around green energy; I was determined to be relevant to Nigeria’s transition towards a green economy. This however was a big vision, so I looked inwards and found out I could as a Poet, engage in climate education/storytelling using my art.

How do you define climate story poetry, and what themes or messages do you aim to convey
through your work?

Climate story poetry is the art of using storytelling and poetry to educate a specific audience
or the general public about the environment, climate change, and how to effectively seek climate
justice. The messages my work aim to convey is encapsulated thus; an awareness that we have an environment we live in and that environment is key to our survival as a people. Furthermore, this environment would thrive or lead us to our doom if we don’t take care of it as we do ourselves.

African Climate Stories: Storyteller of the month

Are there specific environmental or climate issues that deeply resonate with you and influence
your poetry?
Yes, there are. I am most interested in Climate education and waste management.

Could you share some insights into your creative process? How do you go about crafting your
climate-related poems?
My creative process is influenced by the trainings/fellowships/accelerator programs/conferences that I engage myself with. Consequently, the words I need to craft a climate-related poem is influenced by words spoken by an individual, resource – training materials, feedback from discussions, climate-related movies and songs. I may not always quote them verbatim
in my poems, but I find a more passionate way to convey what I’ve heard.

Do you have any favorite poets or literary influences that have shaped your approach to
climate storytelling through poetry?

I have specific poets that have shaped my poetry, but no poets who have shaped my
climate-related poems or storytelling. However, I have organizations such as the Jos Green Centre
and Punchline Poetry Society who continually inspire me through their work and trainings to seek
climate justice using what I have, which is my art.

Can you describe a specific poem or project that holds particular significance to you in the
context of climate change?
My poem ‘Climate Justice’ is part of a social justice advocacy spoken word album titled,
‘We are all Poets’. This poem holds great significance to me because it achieves the vision of
climate education and proffers relevant solutions to realizing climate justice.

Poetry: Akwa Felicity Asibi

We are all poets by Asiibii

How do you hope your poetry will impact readers and raise awareness about environmental issues?

I am positive that my poetry is positively impacting my audience to know about climate change, and how they can be part of proffering solutions to that. Also, I try to continually engage and partner with platforms and organizations that would give my works better visibility and wider reach.

Are there any events or experiences in your life that have played a significant role in shaping your perspective on climate change and sustainability?
Yes, there are. As aforementioned, the seed of seeking climate justice was sown at the Tearfund’s conference. Subsequently, my volunteerism with the Jos Green Centre and Punchline Poetry Society, engagements with trainings, conferences etc. have played significant roles in shaping my perspective on climate change and sustainability.

Do you collaborate with other artists or organizations to promote climate awareness through your poetry?
Yes, I do. African Culture Fund sponsored the project that housed my poem ‘Climate Justice’. I have received mentorship and training from Jos Green Centre and Punchline Poetry Society; furthermore, I have gained commendations and awards from organizations such as The Environmental Design Studio, The Global Landscape Forum, and of-course; the African Climate Stories.

Storyteller of the month - Akwa Felicity Asibi

What advice would you give to aspiring poets looking to use their art to address environmental concerns?
I would advice aspiring poets to engage with platforms that provide pertinent education or training on environmental issues. No one can pour from an empty cup; therefore, they have to unlearn, learn, and relearn about the environment constantly. Secondly, they have to invest in seeking partnership with individuals, groups, and organizations that would be important drivers and supporters of the message they want to reach their audience.

Could you share some upcoming projects or initiatives you’re involved in related to climate storytelling through poetry?
I am looking forward to doing a tour with my poem ‘Climate Justice’. The primary targets would be educational institutions from primary to tertiary levels. Furthermore, I have sought sponsorship from an organization to fund a climate-project. Though I have not received feedback yet, but I am hopeful it would pull through successfully.

Is there a specific audience or demographic you aim to reach with your poetry, and how do you tailor your work to engage them effectively?
I would say that my poetry has no restrictions as to a specific audience or demographic, nevertheless, I am passionate about reaching the youthful population of the world. I tailor my work using poetry as a tool; that while they are being entertained, they are also simultaneously being educated.

African Climate Storis- storyteller of the month - Akwa Felicity Asibi

What are some challenges you face as a poet, and how do you overcome them in your creative journey?
One of the most difficult challenges I face as a poet is finding the right words to convey my thoughts. With the way the world has advanced, some words are considered ‘offensive’ to some group of people; therefore, having the ability to weave words that break through any and every person and group comes at a price always. And that price is my time, resource, and research capacity which can lead to both physical and mental exhaustion. When I’m able to surmount this particular challenge, every other thing is easier to deal with.

How has your poetry evolved over time in response to the changing climate and environmental landscape?
firstly, I have continually pushed myself to unlearn, learn, and relearn. I have had to take refresher courses to help me develop poetry that align with global environmental trends and discussions. More so, I have also adapted and accepted that the world is forward-moving, and so should be with my poetry.

Can you recommend some of your favorite environmental or climate-related poems that readers might explore to gain a deeper understanding of your work?
I would love to point them to my website, www.sibiscus.org. there, they would find all my works.

We hope you enjoyed this piece.

If you will like to be featured as one of our Climate Storyteller’s of the month? Kindly use this link to indicate interest or share with friends who qualify: African Climate Stories – Storyteller of the Month.