Category: Wildlife Conservation

Storyteller of the month - Q&A with Kennedy Gitau

Kennedy Gitau, Animated content creator for wildlife conservation advocacy

Kennedy Gitau also known as Ken is an Animated Content Creator from Nairobi Kenya. His first love for art is in the form of cartoons. He fell in love with wildlife after volunteering at WildlifeDirect, where he learnt about wildlife and found that he had a knack for watering down complex topics like the Wildlife Act 2013.  He went on to make short explainer videos filled with puns and humor and noted that kids loved them and learnt much from them than conventional books. Since then, he has dedicated his life to using this artform to educate kids on wildlife using cartoons and humor, to make young people, especially kids care.

This month’s feature spotlight’s Ken’s journey using animated content creation for wildlife conservation education and advocacy in Kenya.

Can you tell us more about your journey from being a cartoon enthusiast to falling in love with wildlife? What was the pivotal moment that inspired you to merge these two passions?

I always had a love for drawing and art since childhood, but I fell in love in with animation at the age of 8 after someone brought home a DVD CD that had behind the scenes of Finding Nemo. From there I knew I would be doing animation for a living.

I finally pitched a kids explainer filler show and was accepted at Zuku kids. It was during the season breaks that I looked for somewhere to use my talents and stumbled upon a radio interview on XFM where the renowned conservationist Dr. Paula Kahumbu was discussing one of her campaigns #HandsOffOurElephants and enquired how I could volunteer towards the cause using my skills. I volunteered to illustrate the 2013 Wildlife Act using cartoons.

Animation by Kennedy Gitau

When an opportunity arose at Wildlifedirect for a Communications assistant, I applied and got on board. It is here that I learnt about wildlife and conservation activities in Kenya. I felt that children and young people were often left out in the way conservation stories were told. The mainstream documentaries lacked the entertainment value I’d seen in other mainstream shows such as Spongebob and figured I could weave the same stories with a little humor and off-the-cuff puns.

I managed to make a pilot for an animated TV series dubbed I AM MBOGO, which was selected as one of the winning films at NEWF and was funded to make the pilot.

What has been the most rewarding part of using cartoons to teach children about wildlife? Can you share any memorable stories or feedback you’ve received from young viewers?
The most rewarding part of my job is seeing the audience giggle a little and seeing the kids wide eyes when watching something I created or see them engrossed coloring a wildlife piece I created.

Using your gifts to help protect our planet and its wildlife has got to be one of the most rewarding callings out there – of course it wont be easy, but keep doing what you do.

Ken Gitau
ANIMATED CONTENT CREATOR

How do you balance creating content that is both educational and entertaining? What’s your process for making sure kids are engaged while still learning important concepts?

Oof, this is where it gets tricky. Luckily, I have a knack for watering down complex scientific facts to visible illustrations. I find that using round eyes are easy to express emotion, even in inanimate things such as trees and rocks. 🙂

In your opinion, why is it important to engage kids in wildlife conservation from a young age, and how can art and humor play a role in this?

”Samaki mkunje angali mbichi” (You can only bend the fish when wet) – The Swahili saying goes. Meaning that inculcating ideas, behavior and concern is best done when young. If at all we intend to bring behavior change and concern for wildlife, we MUST include children in the way we communicate wildlife stories.

How do you hope your work will impact the next generation’s understanding of and passion for wildlife and environmental conservation?

I hope to use my gifts in art and storytelling to soon make a mainstream TV show that will not only entertain, but rid young people of the distance they feel towards wildlife conservation and their habitats as well. Also create an awareness of the impact of what we do, eg. Plastic straws, littering etc. on the habitats where these wild animals live.

Cartoon by Ken Gitau
What are your future plans for expanding the reach of your wildlife education content? Are there any upcoming projects or collaborations that you are particularly excited about?

I currently still have the pilot to my TV series and a kids coloring book on wildlife which am looking for collaborations out there to hopefully get them off the ground.

If you could give one piece of advice to young African artists or environmental educators looking to use their creative talents for environmental education and awareness what would it be?

Keep at it, don’t stop (ipo siku). Using your gifts to help protect our planet and its wildlife has got to be one of the most rewarding callings out there – of course it wont be easy, but keep doing what you do.

Did you enjoy this piece? Nominate an African Artists using their skills and talents for environmental good here to be African Climate Storyteller of the Month 

Storyteller of the Month - Q&A with Obed Temba Tuyumvire

Obed Temba Tuyumvire, African Climate Storyteller of the month

It’s that time of the month again when we share with you our interview with someone using storytelling and some form of creative expression to advocate or create awareness for one environmental issue or the other. This month we went all the way to fine our climate storyteller at the intersection of two African Countries. Obed Temba  Tuyumvire is a national of  the Democratic Republic of Congo living in Rwanda. Follow his story to know why. Let’s dive in…

Who is Obed Temba Tuyumvire and explain to us why we have found you at the intersection of two African countries?

The colonial border lines between the Democratic Republic of Congo, Rwanda and Uganda transformed my mother land into a no-man’s land and divided my family into three different countries citizens. My village was from then engulfed and lost in the first created National Park of Africa, The Virunga National Park. That situation resulted into a serious civil war that pushed my small family into refuge until the massacre of some of my family members by Rwandan genocide perpetrators. My chaotic young life surviving multiple refugee settlements forged me into the resilient man that I am today. I got inspiration from the horrors that my grandfather endured in colonialist Congo. And so after my teenage age, I tried to go back to find the ruined lands but I was kidnapped by modern day rebels whom I later miraculously escaped. From then, I serendipitously met a couple from Illinois who had lost their way in route to Virunga National Park, that forever changed my life. From the ashes of my story, a new beginning emerged for me. From these ruins of a painful past, I preached for a radiant future to the hopeless and do my best to influence my society through different initiatives. I am currently the CEO and founder of Kumbukumbu Tours, – selling Eco-tourist expeditions across Sub-Saharan African countries. In addition, I am also the co-founder and CEO of the Congo Rainforest Fund, a nonprofit NGO conserving and restoring the rich flora and fauna of The Democratic Republic of Congo.

Obed Temba Tuyumvire from the Democratic Republic of Congo

How did surviving multiple refugee settlements shape your perspective on resilience and hope?

Surviving this extreme refugee setback, living more than a decade in a tarpaulin, insufficient in quality and quantity meal taught me to be patient is front of a difficult situation, to endure hours and days of starvation while working hard for a decent mean to celebrate with intense joy. In such life conditions our differences were meaningless. War, poverty and hunger have no ear, no conscience and nor religion my father used to repeat… Without having committed any faults, without any religious, ethnic or economic antecedents, killers came; they brought misery to each and every one in my village…Everyone was affected; tolerance was an automatic value. we all had to survive and transform wound into scars everyday. As an adult, I look at these scars like medallions in a competitive race, in a desperate society.

How do you integrate your personal history and cultural heritage into your business and advocacy work?

The entire time spent in refugee settlements was an occasion for me to learn about the root causes of our misery and my ultimate dream was to find a platform where to tell the details a community story twisted by belligerents at the same time fighting for dignified life. I stepped out as a volunteer guide with an intense motivation. My first visit to the Virunga National Park destroyed by war as a guide confirmed my conviction for this profession. On the ruins of the painful past, I wanted to build a radiant future for myself and my community; It shone in me with hope of belonging to a society of conviviality and respect for the right to a healthy environment.

Obed Temba Tuyumvire and Virunga Mountain Natives

The ashes of this brutal story are the silt that fertilizes my dreams of a peaceful and succulent future, a future without the crackle of bullets or displaced communities. I use these memories of my troubled childhood as a basis for my projects to create a new, equitable society.

Obed Temba Tuyumvire
Music composer &  Environmental justice  and conservation ADVOCATE

Can you tell us more about the Virunga National Park and why it holds such significance for you?

My grand-grandfather Nsana can be the right emblem of the relationship between the wild beasts that inhabited the Virunga Mountains and the natives who lived in harmony with mountain gorillas. Well, at least until the unfortunate arrival of the white man. With the succession of stories including the creation of the Virunga National Park in 1925, my family woven through different dramas that determined the fate of our entire community: the descendants of Nsana, the noble herdsman who first settled in these volcanic mountains at the end of the 18 Century.

From Nsana, Rukurungu—father of Sebahunde – was born. From Sebahunde, Karamira was born, from Karamira, Nduhura was born, the progenitor of my direct grandfather Nshizirungu. The colonial era drove out this herding clan from their land in the Virunga Mountains, marking the beginning of a conflict of sovereignty and identity across the borders of the Democratic Republic of Congo Uganda and Rwanda.  My generation embodies the spirit and the souvenirs of this natural heritage in which volcanoes converge around a magnificent forest populated by a variety of species of animals, particularly mountain gorillas. When the colonists left, this heritage was unfortunately disrupted by an identity crisis that resulted in chronic violence. Repeated massacres caused the displacement of uncountable people. Even now, we still swarm in refugee camps.

Now we (the new generation) have come to realize that there are two kinds of predators: wild animals and wild animals armed with guns.  It is unfortunate that we are losing the powerful testimony of our grandparents that could serve as a model for life: the conviviality between humans and animals.

Obed Temba Tuyumvire, Founder of the Congo Rainforest Fund.

How did your experiences inspire you to start Kumbukumbu Tours and the Congo Rainforest Fund?

The ashes of this brutal story are the silt that fertilizes my dreams of a peaceful and succulent future, a future without the crackle of bullets or displaced communities. I use these memories of my troubled childhood as a basis for my projects to create a new, equitable society. My traditional customs draw on the intrinsic values of the African philosophy of life: we must seek to give peace if we want to gain it. It is necessary for communities around the Virunga Park to overcome the impulse to negate one another, think progress and business. With this freedom and basic right to everyone, we are dreaming to rebuild our destroyed Virungas ecosystem. By owning, keeping and sharing this story I hope to inspire financial investment in the Virunga, whereby tourists can visit the park and be a source of income to be used for protecting its people and environment. Without the contribution of us (the Inhabitants) who live near the park, it is not easy to preserve this universal heritage. The problem of the conservation requires a synergy of good will, effort, and active participation of all actors animated by a sense of ecological wellbeing.

 What inspired the composition of the Gorilla Song, which was recently launched at the Hollywood Climate Summit in Los Angeles and what message do you hope to convey through it?

In a sense of synergy, engaging the entertainment industry in conservation is crucial. Through the Song, I wanted to give a piece of an academic lesson on what is a gorilla, what is this magnificent cousin of us on the way to extinction. The gorilla song is and will remain an asset, a tool, to bring the attention of big crowd and bring an added value to the campaigning efforts.

What role has the Gorilla song played in advocating for endangered species?

 A good number of people learned about them, it was an innovation in the conservation marketing tools. People were educated and will keep it as a memorial to all the efforts invested by several actors to keep these species alive while transcending generations.

What was the experience like launching the Gorilla song at the Hollywood Climate Summit?

Launching the song during the Hollywood Climate Summit was a magic occasion to talk gorilla stories, it was an innovation by its kind. After the last evening of the summit, we took the occasion to invite everyone to the launching venue at one of the spots around Venice Beach next day. Before singing gorillas, I took a good moment to go through my story and the gorilla stories, giving an overview on why they matter a lot. The song was performed by the artist DAVE MUNTNER  and was launched with other similar subjected songs in one Album among them: Dancing with Penguins, and Running with Cheetah, in the honor of other species conservation efforts. My dream is to see the Gorilla song reach a huge audience and even become as popular as “Toto-Africa.”

How do you see the relationship between eco-tourism and environmental conservation in your work?

For me there is no minus between Eco-Tourism and Environmental Conservation. The two are twins, and to sustain and keep our environment, communities need to survive as well.  Tourism as a business is one of the biggest industries that can destroy or sustain our environment, we just need to use it as a tool to empower local communities following the conservation ethics and code. In 2019 the government of Rwanda has used 5.6% from the tourism revenue to build schools, medical centers, clean water infrastructures around the Volcanoes (Virunga in local language) National park. More that 100 poachers have integrated the park rangers in the same park team because tourism has created those job vacation for them.

Nyiragongo Crater

What are some of the eco-tourist expeditions offered by Kumbukumbu Tours and what makes them unique?

Yes, one of our most famous expeditions is to explore the Congo Basin within 30 days. The money paid is mostly shared among the very local and remote taxi, restaurant  and home stays, 25% of the budget used to support local schools or build water wells where they need them.

How can people support the Congo Rainforest Fund and get involved in your conservation efforts?

You can get involved to support these projects by:

  •      Adopting a baby gorilla from Kahuzi-Biega National Park
  •      Habituate a wild gorilla family
  •      Supplying park rangers with equipment kit ( shoes, uniform, water bottle, sanitaries…)
  •      Sponsor pygmies community children at school
  •      Sponsoring a clan water well in the neighborhood of Kinshasa
  •      We also seek for partners and sponsors to organize the very first gorilla birthday party in 2025

Can you tell us about any upcoming projects or initiatives you are working on with Kumbukumbu Tours or the Congo Rainforest Fund?

We are working on a big project of research and data analysis on the montane Forest of Itombwe, and Preparing for our Gorilla Birth Day Party.

What advice would you give to other entrepreneurs and advocates looking to combine business with social and environmental impact using creative storytelling?

Your effort and success will only be valued by the impact you  make on your pathway, climate change is real.

 

We hope you enjoyed this piece.

If you will like to be featured as one of our Climate Storyteller’s of the month or want to recommend a friend? Kindly use this link to indicate interest or share with friends who qualify: African Climate Stories – Storyteller of the Month.

Storyteller of the Month – Q&A with Sidney Opiyo

Sidney Opiyo - Conservation Photographer in Kenya.

This month of May, we get to feature a climate storyteller from Nairobi, Kenya who is using photography for advocacy on wildlife conservation. Let’s get to meet him.

Who is Sidney Opiyo?

Sidney Opiyo is a Kenyan-born Environmental Scientist, climate activist, and conservation photographer/storyteller with experience in conservation and environmental impact projects. Recognized as a conservation leader, Sidney is deeply passionate about collaborating with young people to tackle disproportionate environmental challenges and enhance inclusion in policy and conservation spaces. With a professional background in Environmental Science and a minor in Community Development, Sidney actively advocates for meaningful youth engagement in Climate action. Through his work, Sidney focuses on conservation education and storytelling, utilizing impactful narratives to shed light on the challenges faced by minority groups and grassroots communities concerning biodiversity conservation and climate change. His stories serve as powerful tools for empowering communities and young people, helping them understand the direct impacts of their decisions and actions on the environment. He runs the Shades of Green a platform dedicated to amplifying community voices in Kenya and Africa by leveraging visual storytelling to raise awareness about climate change and environmental issues. He is currently a post-graduate student at the University of California, Santa Cruz pursuing an MSc in Coastal Science and Policy.

What led you to conservation photography? 
For the longest time, I have been a storyteller through writing and blogging. So, photography for me, became a tool for amplifying the stories that I have wanted to tell. When I got to campus to study environmental science, I got the challenge and asked myself how I can break down some of these complex science jargons into simple language that people at all levels can understand and, in the process, create awareness on conservation and climate issues. At the same time, I wanted to amplify the voices of young people and local communities who are involved in conservation through their various initiatives but are often not recognized when having conservation dialogues in various spaces.

Your work as a conservation photographer and storyteller is captivating. Can you share a memorable experience where your photography or storytelling made a significant impact on raising awareness about climate change or environmental issues?
My most memorable experience was when I worked with Action for Cheetahs in Kenya in 2022 where my role involved documenting their conservation work. The organization promotes the conservation of cheetahs through research, awareness, and community participation in Kenya. Part of what they do is celebrate the World Cheetah Day every October, which is what I had gone to cover in the Northern part of Kenya. Through my photography work, I was able to tell the story of the work of Action for Cheetahs in Kenya through pictorials in not only creating opportunities for locals in cheetah conservation work, but also how the organization has created harmony within the community in Northern Kenya and the welfare of cheetahs within the community. It was beautiful documenting the communities in action for cheetahs through games, trainings, workshops and conversations to understand why and how they can protect the cheetahs.

'Shades of Green' is a community conservation organisation founded by Sydney Opiyo in Kenya.

‘Champions for Cheetahs’ project as captured by Sidney Opiyo

“Shades of Green” sounds like an incredible platform. How did you come up with the idea, and what inspired you to leverage visual storytelling specifically to amplify community voices in Kenya and Africa?
Growing up on the shores of Lake Victoria on Mfangano Island, Kenya, I witnessed firsthand the profound impacts of climate change on my community. The declining fish stocks, rising water levels, and the invasion of hippos wreaked havoc on our traditional way of life. These challenges fueled my desire for environmental conservation using photography as a medium of change. This led to the development of Shades of Green, which is a platform where I use conservation photography and storytelling to shed light on community-led conservation efforts. What drives me is the belief that the stories of marginalized groups—the local community, youth, women, and indigenous people—are crucial narratives that must be heard. These stories not only highlight the socio-political dynamics of conservation but also underscore the strengths and barriers within these inequalities.

Fish breeding ground captured by Sydney Opiyo. Kenyan wildlife conservation photographer

Fish breeding ground captured by conservation photographer, Sidney Opiyo

What drives me is the belief that the stories of marginalized groups—the local community, youth, women, and indigenous people—are crucial narratives that must be heard. 

Sidney Opiyo
CONSERVATION Photographer 

In your opinion, how does storytelling contribute to empowering communities and young people in understanding the direct impacts of their decisions and actions on the environment?
I am driven by my belief in the profound impact of visual storytelling. Photography, for me, is more than just capturing moments; it’s a medium for change, connecting people with nature, and inspiring behavioral shifts that echo through generations. We are visual beings. For example, being able to see a place is much different from hearing about it. You can hear a sound byte and not understand anything about it but if you see a photo, it suddenly means something to you, and you develop a relationship with it. That is the role of conservation photography and storytelling. I believe in the deep impact of powerful visual storytelling and how these stories are, in raising awareness and gaining support for conservation and action for climate change. Photography helps connect people and nature to catalyze behavioral change that will have a lasting impact on the environment.

You mentioned focusing on shedding light on challenges faced by minority groups and grassroots communities in biodiversity conservation and climate change. Can you elaborate on a specific project or story where you addressed these challenges through your photography and storytelling?
Marginalization of certain groups like women, youth, grassroot communities and indigenous people in conservation is real. I am from one of the smallest communities in Kenya – the Suba Community. During the corona virus, myself, together with other community members co-founded a community-based organization called Train My Generation CBO where I am responsible for conservation projects spearheaded by the organization. Priority for me has been creating awareness on environmental issues within my community, on Mfangano Island, Kenya. Storytelling and photography have been important in highlighting the challenges within the lake. Having been already disadvantaged geographically and detached from various social and economic services, storytelling has been important in highlighting the different challenges within the community and also rallying for partnerships to support efforts in conserving not only the island but also the bordering Lake Victoria.

As a conservation leader, how do you envision meaningful youth engagement in climate action? And how do you incorporate this vision into your advocacy work and storytelling efforts?
I am privileged to be a youth but also that most of my work for the last few years has been with the youth especially in learning institutions. I am proud to say that the youth are currently doing amazing work in the conservation space. They have actually taken initiative and are acting to secure their future and the future of their offspring today. This is bound to sharply increase as the youth actively realize that their future is in their hands and most importantly that they make the largest population of very many countries. This means that they have the power to create meaningful change. My work as a storyteller is to advance their work through amplifying their voices and getting the work that they do get noticed out there particularly the amazing work, innovations and inventions that they are making especially within the climate change and environmental conservation space.

Transitioning to your academic pursuits, how do you see your studies in Coastal Science and Policy complementing your work in conservation photography and storytelling?
Coastal Science and Policy will be helpful in understanding the work and efforts that goes into policy work in protecting oceans but also freshwater ecosystems. In understanding policies within ocean conservation and coastal regions, it will help shape the storytelling and science communication efforts that support such causes.

Can you share some insights into how your professional background in Environmental Science and Community Development influences your approach to conservation photography and storytelling?
My background in Environmental Science and Community Development has greatly influenced my work in conservation photography and storytelling. My understanding of various environmental issues has been important in helping break down some of these complex science jargons and making them easily understandable. This background has also helped me understand conservation issues in the context of communities as well as the efforts that these communities are already making to adapt and mitigate some of these challenges of the environment. In understanding this, with my science background, I then can now tell science stories that have communities at the centre. I am able to tell community-centred science stories because the communities are not only the beneficiaries of the stories but also the characters within the stories and the changemakers who make conservation work. This is not just negative stories but stories of hope, stories of a better future, stories that inspire communities to take action for the present and the future.

What are some of the key messages or themes you aim to convey through your photography and storytelling, particularly concerning climate change and environmental issues?
Through my conservation photography, I highlight different issues. For example, human-wildlife conflict in the context of climate change, marginalization of certain groups like women, youth and indigenous people in conservation in climate conversation spaces, highlighting stories on climate change particularly climate justice, mitigation and adaptation and most recently, loss and damage.

How do you navigate the balance between raising awareness about environmental challenges and inspiring hope or action through your storytelling and photography?
I aim to highlight and raise awareness on the effectiveness of human-centered conservation and tell local conservation stories highlighting both the challenges but mostly highlighting the efforts that young people, women and local communities and indigenous people are putting in conservation, climate change through adaptation and mitigation. The goal is to inspire action. In documenting these conservation stories and efforts, these become testaments, bridging the gap between reality, understanding, reminding us that in the face of adversity, compassion can ignite change.

Lastly, what advice would you give to aspiring conservation photographers and storytellers who are passionate about making a positive impact on the environment and communities through their work?
My advice to aspiring photographers is to invest in telling authentic stories. This can be
through doing research, also learning from people who have been ahead in the game but
mostly genuinely connecting with the communities whose stories you are telling and allow
them to tell their stories as they are.

Sidney Opiyo - Conservation Photographer in Kenya.

To connect with Sidney use this link 

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