Tag: Documentary

Storyteller of the Month - Q&A with Ugwuja George

Ugwuja George - African Climate Stories

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As we launch into the new year and continue to showcase the works of diverse multimedia storyteller using their skills to drive environmental and climate action, we are super excited to meet the African Climate Storyteller of the Month of January 2024.  

Meet George Ugwuja, a Nigerian documentary filmmaker, video content creator and founder of Capital Power Multimedia 

Tell us what you do George:

I am a gifted filmmaker and video creator who has dedicated my creative talents to the powerful cause  of humanity. In the last 17 years, I have built my passion for storytelling and a deep commitment to  raising awareness about the SDGs, starting from my active participation as a volunteer content  contributor to UNICEF Voices of Youth blog. Ever since then, I have worked in partnership with INGOS to  drive positive change through storytelling. 

 

My journey as a documentary film and video creator of environmental advocacy stories began with a  profound realization of the urgent need to address environmental challenges arguing that since The SDG  framework has a total of 17 goals, 169 targets and 244 indicators— 93 of which are environment related which measures the most pressing issues facing the planet, including the interactions between topics. Drawing inspiration from the beauty of nature and the pressing need to protect it, I set out to use my creative skills to shed light on environmental issues that often go unnoticed. 

In 2019, I brought a team of media professionals together and launched Capital Power Multimedia, A full-fledged content creation agency that has helped to  propagate my passion for the environment by working with NGOs, Government and the Private sector  to produce compelling documentary films and videos that capture the essence of environmental  advocacy, weaving together narratives that evoke empathy, provoke thought, and inspire action.  

In 2019 I partnered with WASTE Africa and Coca-Cola foundation to document the ‘protect 10,000  initiative’ which empowered 10,000 member- informal sector waste pickers and vulnerable groups  dependent on waste for their livelihoods. This advocacy production attracted more attention to waste  pickers and generated donation from international organizations including the Schwizerischi  Eidgnosseschaft Schweizerische Eidgenossenschaft, Confédération suisse, Confederazione Svizzera, and Confederaziun svizra.

I was later also consulted by the UN-REDD Programme to lead the field team that  traveled to cross river to document the success story of the Community based forest management in  Nigeria (CBR+ projects- agro forestry + mangrove replanting). This documentary has been premiered in  different countries of the world during UN conferences.

With a keen eye for visual storytelling and a deep understanding of environmental concerns, I have  skillfully crafted narratives that highlight the interconnectedness of humanity and the natural world. My documentaries and videos serve as a poignant reminder of the responsibility we all share in  safeguarding our planet for future generations.

Ugwuja George
Founder, Capital Power Multimedia

By 2020, I and my team traveled to Bauchi state to document how MEDA and Global Affairs  Canada (GAC) are working together to support women and youth-run businesses in the processing sector and food industry of Bauchi State, Nigeria on how to use environmentally friendly processes to  process food. The project team worked in three main value chains: rice, peanut, and soybean and also  helped women with alternative cooking stoves to save trees and reduce emission. The Federal Ministry of Environment in concert with the World Bank and its partner agencies designed  the Nigeria Erosion and Watershed Management Project (NEWMAP) to address on a multi-dimensional  scale the menace of gully erosion in the south east as well as land degradation in the North. I led a team to visit Gombe and produced this documentary for Gombe State government to showcase their  milestones and to seek for more funding to continue to battle gully erosion. 

 

I visited Pad-Up creations in Niger State Nigeria to document the success story of green jobs in Nigeria. The Challenge Fund for Youth Employment (CFYE) is a 7-year programme funded by the Netherlands  Ministry of Foreign Affairs. The Fund is managed by the Palladium Group, Randstad and VSO. The Fund  aims to create a prosperous future for 230,000 young women and men in the Middle East, North Africa,  Sahel & West Africa and Horn of Africa. This will be achieved by supporting youth employment initiatives  in these regions. Initiatives will offer youth, particularly young women, opportunities for decent work  that delivers better prospects for personal development. The Nigeria story has been premiered in  international programs causing the donor agencies to map out scale up funding across Africa. 

With a keen eye for visual storytelling and a deep understanding of environmental concerns, I have  skillfully crafted narratives that highlight the interconnectedness of humanity and the natural world. My documentaries and videos serve as a poignant reminder of the responsibility we all share in  safeguarding our planet for future generations. 

As I continue to weave my creative vision into compelling narratives of environmental advocacy, I will remain an inspiring force for change, using the art of filmmaking to amplify the voices of nature and  advocate for a sustainable future. 

Ugwuja George - CapitalPower Multimedia

So what inspired you to become an environmental advocate through video creation?

 I believe that videos have the ability to engage and  inspire people in a way that other forms of communication may not. Through video creation, I aim to  educate, motivate, and mobilize all relevant stakeholders to take action in support of environmental  conservation and sustainability. I am committed to using my skills to amplify the voices of  environmental advocates and drive positive change for our planet. 

 

What inspired you to become an environmental advocate through video creation?

During the implementation of the MDGs, before the advent of the SDGs, I was consulted by Office of the Senior Special Assistant to the  President on Millenium Development Goals to visit over 20 states across Nigeria to document the  impact of MDGs interventions in local communities. When I got to remote communities in Bayelsa State,  I saw firsthand, the level of devastation caused by oil spills.  And in the north, I saw how deforestation  has caused severe weather conditions. This firsthand encounter with the environmental challenges and  their effects on local communities inspired a deep sense of responsibility and a desire in me to advocate  for positive change through storytelling. 

 

How do you believe video content can effectively raise awareness about environmental issues?

Video content can effectively raise awareness about environmental issues by visually showcasing the  impact of these issues on the natural world and communities. Through compelling visuals, video content  can capture the attention of viewers and evoke emotional responses, making the issues more relatable  and urgent. Additionally, video content has the potential to reach a wide audience through various  digital platforms, maximizing its impact and outreach. By presenting solutions, success stories, and calls  to action, video content can inspire and mobilize relevant stakeholders to take positive steps toward  environmental conservation and sustainability. 

What challenges have you faced in conveying complex environmental messages through video, and how have you overcome them?

Conveying complex environmental messages through video has presented several challenges, such as: simplifying complex issues, bringing emotional impact and the right visual representation. Depicting abstract concepts such as climate change or biodiversity loss in a  visually engaging and accurate manner can be a challenge. 

To overcome these challenges, I try to: 

  • Engage with subject matter experts to ensure accuracy and clarity in  conveying complex environmental concepts mostly working with local and international stakeholders  that are trusted with the mandate of environmental protection. 
  • I use personal stories and local examples to make complex issues more  relatable and emotionally impactful for viewers.
  • Use visual aids, infographics, and animations to simplify complex data  and concepts, making them more accessible and engaging for the audience.
  • Offer practical steps that viewers can take to address the issues  presented in the video, empowering them to make a positive impact.

By addressing these challenges through collaboration, personalized storytelling, visual aids, and  actionable content, I am able to effectively convey complex environmental messages through video. 

 

How do you strike a balance between presenting urgent environmental concerns and providing hope and actionable solutions in your content?

I try to clearly articulate the urgency of environmental concerns by presenting factual  evidence, real-life examples, and expert insights. This helps viewers understand the severity of the  issues. I share stories of individuals and communities that have successfully  implemented solutions or are actively engaged in positive environmental initiatives tp provide hope  and inspiration. 

George Ugwuja - CapitalPower Multimedia

Could you share a success story where your video advocacy led to tangible positive change or increased awareness?

My evidence-based advocacy documentary about gully erosion in Gombe state has helped the  government to raise billions of Naira in additional funding and  is currently surmounting gully  erosion in the state. That alone gives me immense joy. 

 

How do you stay informed about the latest developments in environmental issues to keep your content relevant and impactful?

I stay informed about the latest developments in environmental issues by regularly monitoring  reputable sources such as scientific journals, environmental organizations, and news outlets. I also  engage with experts in the field, attend environmental conferences and workshops, and collaborate  with organizations to access the latest research, data, and best practices. Additionally, I actively seek out  community engagement to understand local environmental concerns and experiences, ensuring that my  content reflects real-world challenges and solutions. This approach allows me to maintain a deep  understanding of current environmental issues, ensuring that my content remains relevant, accurate,  and impactful.

 

How do you handle criticism or skepticism regarding environmental issues in your videos, and how does it shape your approach?

I try to approach criticism with openness, evidence-based responses, and a commitment to continuous  improvement. I aim to shape a more informed and engaging approach to environmental storytelling in  my videos. 

 

Are there particular environmental issues that you feel are often overlooked, and how do you address them in your videos?

Plastic pollution is a major environmental problem in Nigeria. Plastic comes from fossil fuels, which we  need to phase out, so using less plastic is important. But ultimately solving the problem of plastic  pollution may come down to improving waste management technology and creating a more circular  economy for plastics. I have been addressing them by telling stories that resolve around the economic  importance of recycling so I can encourage companies to invest in recycling…I do also promote  organizations that implement recycling center interventions to bring more visibility and momentum.

George Ugwuja - Capital Power Multimedia Nigeria

Any advice to upcoming video content creators who want to tell environmental advocacy stories?

For upcoming video content creators who want to tell environmental advocacy stories, here are some  key pieces of advice: 

  1. Take the time to educate yourself about a wide range of environmental issues,  including climate change, biodiversity loss, pollution, and conservation efforts. Stay informed about the  latest developments and research in the field.
  2. Infuse your storytelling with authenticity and genuine passion for  environmental advocacy. Audiences are more likely to connect with content that comes from a place of  sincere commitment.
  3. Build relationships with experts, environmental organizations, and like minded creators to gain insights, access resources, and foster collaboration on impactful projects.

Ugwuja George, CEO Capital Power Multimedia

 

 

We hope you enjoyed this piece.

If you will like to be featured as one of our Climate Storyteller’s of the month? Kindly use this link to indicate interest or share with friends who qualify: African Climate Stories – Storyteller of the Month.

 

Storyteller of the Month - Q&A with Simpa Samson

Simpa Samson

[vc_row][vc_column][vc_column_text css_animation=”fadeInUp”]Simpa Samson is an Emmy Nominated, Cannes World & Morton Frank Award winning DP/Director. His work focuses on international development, health, and human rights, and He has DP Documentary for International Network such as: Bloomberg Original, Vice News, Aljazeera, CNN, Russia Today, Skoll Foundation, Morgan Stanley, Waterbear, RedfishMedia, Deutsche Welle (DW), and International Aid Organisation such as United Nation, Save The Children UK, UNOcha, World Health Organisation, World Food Program, UNICEF Geneva, INTERSOS, F.A.O, among others. Simpa Samson, was known for filming in hostile environments at the beginning of his careers there by making him have vast experience as a War Cameraman. He Operates around Africa and has a wide range of connections with fixers around Africa.
In 2023, Black Snow: Nigeria Oil Catastrophe, a documentary that Simpa DP/Directed for Bloomberg Quick take in the Niger Delta region of Nigeria, got an Emmy Nomination, and also won him and the team a Morton Frank Award organised by Oversea Press Club of America.

 

Learn More about Simpa Samson in our Storyteller of the Month Spotlight Q&A below.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][pt_video video_url=”https://youtu.be/V6Vg4OOMW0Q?si=YgiodPvMamU_fsN3″ video_thumbnail=”45″ height=”375″][/vc_column][/vc_row][vc_row css=”.vc_custom_1527077254000{padding-bottom: 15px !important;}”][vc_column][vc_column_text]

Africa is for us, and we know our culture, land and way of living better than any other person, so it’s really important that we tell a very good story with authenticity and message for the world at large to be able to see and relate.

Simpa Samson
Documentary FILMMAKER
How did you first become involved in animal/wildlife conservation filmmaking?
I became involved in Animal and wildlife After filming in the Niger Delta Region of Nigeria, and I saw what the crude oil that was supposed to be a blessing is now a curse to the land and marine life. And after that, I started looking for a project that I can tell to really draw attention to wildlife and animals. I presently have about three (3) Documentary treatments on wildlife and animals, and hoping I can get them funded and produced soon.
 
What inspired you to use film as a medium to raise awareness about bat conservation issues?
Film has always been the medium I use in expressing myself, and when the opportunity came for me to Direct and Film such a Documentary for Al-Jazeera, I took all the opportunity with both hands. I also have another film called Martha’s Delta which is currently on the Waterbear platform for free viewing.
Can you share a memorable experience or encounter you’ve had while filming in the wild?
One of my memorable experiences is how we were able to survive all the challenges the wild threw at us. During production of Bat Couple, Rain drenched I and the team as we make the 6 hours climb and when we finally got to where we set up camp, we had to dry ourselves and clothes with fire. It was a memorable and interesting experience.
How do you choose the locations for your filming projects, and what criteria do you consider?
I am not limited to location at all, I have filmed in some of the most dangerous places you can think of in Nigeria and some part of Africa, so for location, I can go anywhere, but for story, it has to be a story that will end up impacting life or drawing attention to some certain issues.
What challenges do you face as a wildlife conservation filmmaker, both logistically and emotionally?
I have encountered lots of challenges. Emotionally, it just breaks my heart whenever I see what we humans have done to wildlife. The physical demands of navigating the wild while carrying gears around, The uncontrollable weather, and I have also lost some of my important gear while filming in the wild.
During the production of Bat Couple, we hike over 6 hours climbing Afi Mountain in calabar and during our climb, we didn’t encounter any wild animal, that’s to tell you how much the people have hunted all the wildlife there and drove the rest into migration
Are there specific bat species or conservation issues that you are particularly passionate about featuring in your films?
Personally I am open to telling a lot of conservation issues, from marine and wildlife,  I am not particular about any, I am passionate about all round wildlife issues.
How do you balance the artistic aspects of filmmaking with the goal of conveying important conservation messages?
I have developed myself as a run and gun documentary filmmaker, and I have worked in several situations over and over again that when it comes to being creative, it now comes naturally, so basically during production I concentrate more on the core conversation message.
 
Could you highlight a successful conservation story that you’ve covered in your films and its impact on the environment?

All my conservation Documentaries stories are successful, from films such as: Martha’s Delta, The Black River, Black Snow: Nigeria oil Catastrophe, Bat Couple. And all of them have had a good impact, by making the local Community that we film in know the reason why they should protect nature.

Impacts
For Martha’s Delta, the communities finally see the importance of planting back the mangrove and protecting them from being cut down.
Black Snow: Nigeria Oil Catastrophe, documentary, had a good impact by helping the state government of River finally sees the reason why the cleaning of the Ogoni land needs to be done quick and fast, and also why the modular refinery’s need to be up and running so as to prevent people from untimely death. (The documentary gave I and the Team an Emmy Nomination)
Bat Couple also had a significant impact, as it showed the people of Boki Community the significance of bats to the wild and also how important it is to control bush burning so as to not kill wildlife.
Simpa Samson on African Climate Stories
 
What role do you believe filmmaking plays in influencing public perception and action towards wildlife conservation?
 Filmmakers play a very key role in influencing public perception by showing and going into the heart of the problem and featuring wildlife and their habitats as central characters and settings, filmmaking can help to humanize and personalize the conservation message. This can help to raise awareness and empathy for the plight of endangered species and the importance of protecting their habitats
How do you collaborate with scientists, conservationists, and local communities to ensure the accuracy and effectiveness of your films?
Collaborating with scientist will help filmmaker know and get the exact statistics in a particular case study that they want to do a Documentary on, while collaborating with conservationist will be able to let you know how the animal behaves, what to know about some particular species in question so as to get every information correctly and not deliver a false information to audience that will be watching the film. And for the local communities it is very important to have them collaborate and participate so that they will be able to teach other people and protect the wildlife for a very long time even after the film crew have left the community.
 
Any advice to emerging wildlife conservation storytellers in Africa? 
My advice to emerging wildlife storytellers in Africa is to tell an authentic story however little. Africa is for us, and we know our culture, land and way of living better than any other person, so it’s really important that we tell a very good story with authenticity and message for the world at large to be able to see and relate.

 

 

 

We hope you enjoyed this piece.

If you will like to be featured as one of our Climate Storyteller’s of the month? Kindly use this link to indicate interest or share with friends who qualify: African Climate Stories – Storyteller of the Month.

 

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